The influence of the Kuchar Brothers on “underground” and independent cinema can’t be overestimated. Their unique view of the world and unique methods of moviemaking are addictive — once you become a fan, you’re a fan for life. Thus, I was very happy to recently interview Mike Kuchar on the occasion of screenings of his new video works at the Anthology Film Archives.
Here he discusses his love of Hollywood movies, in particular lower-budgeted genre movies, which he considered more “friendly” and personal:
And here he discusses the gorgeously overwrought color in his best-known film, the cult classic Sins of the Fleshapoids:
For those who aren't familiar with Mike's work, three of his classic films are available on DVD, on the Sins of the Fleshapoids collection. Two of those three are also available on YouTube (ain't it interesting how these things work?). The first is the selfsame no-budget camp sci-fi masterwork Sins (1965):
The other available example of his work is fascinating, as it points the way to early John Waters (particularly one notable kissing sequence), The Craven Sluck (1967):