Exuberance is the only word for it. Anna Karina, bored at home, lamenting her dismal romantic condition, dancing around in a hastily assumed outfit, declaring herself “the Lolita of comics,” the “Rollergirl!” This ye-ye-meets-garage-beat gem could only have sprung from the mind of Serge Gainsbourg, and it stands as one of many highlights in his score for the dazzling pop-art musical Anna, which aired as the first French color telefilm back in 1967 (and what color it is!). The “Anna” in question is Miss Karina, who is the elusive subject of a rich playboy’s obsession — only he (New Wave stalwart Jean-Claude Brialy) is too dim to realize she works right in his own photography studio…. I was quite proud to present the U.S. TV premiere of clips from this mind-warping delight on Media Funhouse a few years back, and I’m equally proud to present the Internet debut of subtitled clips from this unjustly neglected bit of pure Sixties joy. Clips from the film do appear on YouTube in the original French, but I was lucky enough to acquire a subtitled copy of the film, so those who do not understand French can follow along with Serge’s wonderfully dippy pop lyrics. Other songs from the film display his songwriting skills to more refined effect, but this little number is perhaps his most rockin’ ye-ye tune, interpreted by a goddess of the New Wave, Ms. Anna Karina. Best known for her transcendent appearances in the films of Godard, she was split from Uncle Jean by the time this film appeared (she looks radiant here, but director Pierre Koralnick couldn’t match the evenly-lit, god-does-she-look-beautiful close-ups of her onetime husband/genius). Anna is instantly loved by those who see it, but it’s been barely seen on these shores — to date, no American distributor has ever acquired it, and I know of no theatrical screenings in the U.S. All the more reason to spread the word — this is a musical I never, ever seem to grow tired of.
Click here if the above doesn't work.
The blog for the cult Manhattan cable-access TV show that offers viewers the best in "everything from high art to low trash... and back again!" Find links to rare footage, original reviews, and reflections on pop culture and arthouse cinema.
Showing posts with label "Anna". Show all posts
Showing posts with label "Anna". Show all posts
Friday, June 22, 2007
Friday, June 15, 2007
Deceased Artiste Jean-Claude Brialy: Scenes from "Anna" (1967)
Brialy was an incredibly busy actor who could be represented by any number of his excellent performances. He worked with Uncle Jean (Godard) from the very first films, was a cornerstone of the French New Wave himself, and kept working right up until the end. He started out as a boyish leading man, and became a chubbier character person by the 1980s and '90s, but was always a familiar presence in French exports.
One of the things I've been most proud to give a "U.S. TV debut" to on the show is the lamentably undistributed perfect Sixties musical Anna. A 1967 TV movie that premiered at Christmastime in France, the film is just indelible, a perfect mixture of the mod and the wistful (for the former, think the films of William Klein; the latter, Umbrellas of Cherbourg). Brialy plays the dumb playboy who never recognizes that the girl of his dreams works right in his office (those damned specs of hers!). The songs are by the one and only Serge Gainsbourg, and they are totally unforgettable.
Here is one of Brialy's two solo numbers. He was not a good singer, but he growls out this terrific paean of despair pretty well. "Boomerang":
Click here if the above doesn't work.
Here, he listens to Gainsbourg impart a philosophical lesson in the form of a pop song. "Un Poison Violent, C'est L'Amour":
Click here if the above doesn't work.
And an utterly gorgeous duet between Brialy and Anna, the very haunting "Ne Dis Rien." This stuff is too good to remain hidden:
Click here if the above doesn't work.
One of the things I've been most proud to give a "U.S. TV debut" to on the show is the lamentably undistributed perfect Sixties musical Anna. A 1967 TV movie that premiered at Christmastime in France, the film is just indelible, a perfect mixture of the mod and the wistful (for the former, think the films of William Klein; the latter, Umbrellas of Cherbourg). Brialy plays the dumb playboy who never recognizes that the girl of his dreams works right in his office (those damned specs of hers!). The songs are by the one and only Serge Gainsbourg, and they are totally unforgettable.
Here is one of Brialy's two solo numbers. He was not a good singer, but he growls out this terrific paean of despair pretty well. "Boomerang":
Click here if the above doesn't work.
Here, he listens to Gainsbourg impart a philosophical lesson in the form of a pop song. "Un Poison Violent, C'est L'Amour":
Click here if the above doesn't work.
And an utterly gorgeous duet between Brialy and Anna, the very haunting "Ne Dis Rien." This stuff is too good to remain hidden:
Click here if the above doesn't work.
Subscribe to:
Posts (Atom)