In my continuing survey of discoveries of full feature films on YouTube, here’s a gent who’s posted four classic modern Westerns, three starring Clint Eastwood, and one of Sergio Leone’s masterworks. I notice the traffic on this poster’s clips range from 1,000 to 10,000, which is great, because Eastwood’s Westerns are the last link with the great sagebrush sagas of classic Hollywood. (Kevin Costner be damned!)
All of Unforgiven (1992):
For a Few Dollars More (1965) (containing the always-amazing Klaus Kinski as a hunchback):
The Outlaw Josey Wales (1976):
Leone’s epic Once Upon a Time in the West:
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Showing posts with label Westerns. Show all posts
Showing posts with label Westerns. Show all posts
Friday, August 21, 2009
Saturday, July 11, 2009
Film noir and Western collections on YouTube
The uploaders usually group the films in terms of stars, but more often they are arranged by genre. One gent, calling himself by two hallowed names in the film noir canon, has put up some seminal Westerns and noirs. As Joel Cairo, he has put up five Westerns including three of the perfect Budd Boetticher/Randolph Scott collaborations (I need to upload clips from mine own interview with the late, great Budd). Among the offerings from “Joel” are Seven Men from Now (1956) which was beautifully restored by UCLA, thankfully during Budd’s lifetime, The Tall T (1957), and Comanche Station (1960).
Joel’s account
As Hank Quinlan, our friend has put up some of the greatest noirs: Out of the Past, The Lady from Shanghai, Nightmare Alley, and Touch of Evil are among the full films he’s uploaded. He also has added some of the cult favorites: Phantom Lady, Desert Fury, Ace in the Hole, and Blast of Silence. His collection is most definitely worth checking out. It’s very nice to have these films immediately at hand, although of course it would be best to see them in a theater on a screen with an audience. That experience doesn’t happen all that often outside the parameters of each city’s rep house or university auditorium, so this is a very handy way to catch up with the noir classics (although, one bit of advice: do yourself a favor and mark out the time to watch the films in their entirety, hopefully in one sitting; they are wonderfully paced for a single viewing experience).
Hank’s account
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