Showing posts with label Scopitones. Show all posts
Showing posts with label Scopitones. Show all posts

Thursday, April 8, 2010

He wasn't fond of them, but here they are: Robert Altman's Scopitones!

Ranking right up there with “Uncle Jean” in my personal Pantheon of filmmakers is the ultimate American maverick, Robert Altman. I only encountered the gentleman in person three times, all extremely brief. He was very, very sick (but nobody knew it) in the last instance, when he made his final public appearance in NYC with Garrison Keillor at the Museum of TV and Radio. Thus, he looked extremely cranky when ensconced in a chair in the “green room” area where he was supposed to meet and talk with press.

On the first occasion, however, at a book signing/promotional event for Short Cuts, he was in fine form, and I wound up asking him if he would ever think of releasing his short films, which included things he lent out to the Museum of the Moving Image in Astoria for a comprehensive Altman retro (Pot au feu, The Katherine Reed Story, etc.). He said they weren’t very good and, no, he didn’t really want them to be released on a laser disc (this tells you how far back this was).

In the case of one of them, a Scopitone called “The Party” or “In Crowd,” he said he didn’t own the music (“Bittersweet Samba” by Herb Alpert and the Tijuana Brass), so that one couldn’t be released. Well, it has now shown up in public, and is available for public perusal and saving as a download.

The Scopitone is a piece of vintage Sixties filmmaking that adheres to the “party principle” of Sixties pictures, whereby any comedy or music picture could be shaken up by a sudden party sequence, preferably with girls in bikinis in attendance. Here, Altman had to visualize a Herb Alpert track, and so the actual movie is gone, we’re left with just the party. Which is just fine with me:



And because the Internet is a source of constant wonder, here is another of the FOUR Scopitones made by Altman (you learn something new every day), “Girl Talk” by Bobby Troup (who later of course got the last line in M*A*S*H). Here again the “chick factor” is in full effect, and had to be, since Troup was a great musical talent as a songwriter, but as a singer and personality… well, he just wasn’t Buddy Greco!!!



The third Robert Altman Scopitone found on YouTube is Lili St. Cyr shaking her money maker to “Ebb Tide.” This leaves only one Altman Scopitone (“Speak Low”) unaccounted for, but I never thought, as a diehard fan of the man’s work, that I’ve even see these three in public view.



Thanks to M. Faust for pointing the way to "The Party." As I often say on the Funhouse TV show, the Sixties are the gift that keeps giving, and giving, and giving….

Thursday, July 12, 2007

21st century Scopitones — and a new yé-yé rocker!

Had never heard of the lovely and talented Mareva Galanter before the YT explosion of clips. Here is here modern take on the Scopitone:


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And here is a terrric pop-rock number that reflects a little White Stripes/Stooges in its nasty guitar — sublime!


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Wednesday, May 16, 2007

That's why, that's why the lady is a...

To start out the blog with a bang, I offer this item which I have uploaded to YouTube. I never grow tired of watching it, and for some reason, you never see it offered up among the many Scopitones that are present now on the Net. On the previous blog, I had noted that the song is "interpreted by jazz pianist and lounge dude extraordinaire Buddy Greco. Buddy’s version of the lyric includes throwaway references to Dorothy Kilgallen, Floyd Patterson, and Slenderella (a then-famous brand of lingerie), and has him operating in a Rat Pack, finger-snappin’ mode." It is an absolute joy.



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