Friday, November 6, 2009

Newman and Cohen British TV documentaries online

British TV documentaries about the lives of celebrities routinely offer excellent “frames” for their biographies, which often include a portrait of the locale the subject lives/lived in (the Brits are heavy on context, and cities provide the most picturesque sort of context), or an “essay” on the impact the person’s work has had. In the links below, British documentarians tackle two of the most talented singer/songwriters alive, two gents who have always had name recognition but have never had Top 40 singles (except in the case of one “novelty” success….). The subjects are Randy Newman and Leonard Cohen. The Newman docu is a fan’s love-letter to Randy, who acts appropriately cranky and off-handed during the interview segments; the fan in question is Jon Ronson, who wrote the book that inspired the new movie The Men Who Stare at Goats and directed the documentary Stanley Kubrick’s Boxes. The docu, found on the World of Wonder site, is called “I am, unfortunately, Randy Newman”:



Randy can be found here.

The portrait of Leonard Cohen isn’t as blissfully musical as Leonard Cohen: I’m Your Man, but it does supply a good short-form intro to the cult of Leonard and its acolytes (of whom I am one). I recently sat in the nosebleeds at Madison Square Garden to see Len, and he gave one helluva show, offering three hours of solid classics (and the deft handling of a very fine hat).



Leonard can be found here.

Thursday, October 29, 2009

A Halloween tribute to E.C.'s Graham "Ghastly" Ingels

It’s Halloween again, my FAVORITE holiday of the year (fie on Xmas). And since I’ve mostly paid tribute to film and music items relating to horror and the Halloween holiday on the show and in this blog, this time out I thought I’d raise a candle to the genius of the creepiest artist of the E.C. Comics group, Graham Ingels.

Nicknamed “Ghastly,” Ingels was, along with Jack Davis, the most “extreme” E.C. artist. But where Davis was cartoony, Ingels really seemed to relish sketching the shocked facial expressions, ominous landscapes, and decomposing corpses that were frequent parts of the stories he was chosen to illustrate. Among the things I’d like to present to honor him are two scans I made of his biography. First, the official one that came out in the 1950s (reprinted in one of the wonderful, invaluable Russ Cochran reprints). Click the image to enlarge.

Then there is a sort of update, a biographical sketch of him provided for a later reprint, which notes he didn’t like to acknowledge his connection with E.C. later in life; it is noted in other online bios that he finally did, in his last few years. Click to enlarge.

And in case you’re looking to read a whole story illustrated by Ghastly, there are two that have been scanned by the good souls over at Insane Journal (great name!). First, a most appropriate tale called “Halloween!” from Shock Suspenstories #2. Read “Halloween,” and celebrate the holiday in style!

And you can’t get any further-out than the really sick “Horror We? How’s Bayou?” It remains one of the most extreme exercises in ugliness that brilliant horror scribe Al Feldstein (who is owned very many royalties and residuals by his student Stephen King) ever came up with. How can you resist reading one of the sickest stories E.C. ever came up?

I should acknowledge where I my E.C. “fan-addiction” sprang to life again: at the local paradise of low-priced, perfect-condition cool books and comic-related stuff, Drougas Books (known to NYers in the know as “that awesome bookstore on Carmine St. with the long Lefty name I can't remember”).

Some of my favorite Ghastly covers, starting with the most atmospheric and subdued to the more lurid lovelies: